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Stand Alone Complex

SAC
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A term for a structure in which, with no original anywhere to be imitated, the actions of individuals who are not in contact with one another accumulate until a collective phenomenon rises up that looks as though a single will were driving it. There are two points. One is that no center or initiator exists. The other is that, in spite of this, it reads from the outside as a unified movement. It is easiest to understand as a word that exists to name the situation of looking for a starting point and not finding one, while the phenomenon is certainly there. The term is a coinage made for the anime *Ghost in the Shell: Stand Alone Complex* (directed by Kenji Kamiyama), broadcast in 2002, where it names a plot in which people appear one after another imitating the incidents of the "Laughing Man", who hides his face behind a sign※1. What follows is not a commentary on the work but an account on the side of the concept.

The ideas behind it

In the background is the late twentieth-century argument that the relation between copy and original is reversed. In *Simulacra and Simulation* of 1981, Jean Baudrillard discussed the simulacrum as a copy that has no original, or that has lost its link to one, and called the inversion in which the map precedes the territory the "precession of simulacra". It is an exchange of order in which what is generated from models shapes the side of reality.

Stand Alone Complex takes this argument over into the explanation of collective behavior. What Baudrillard dealt with was mainly the relation between signs and reality, but what is at issue here is action. Nobody has seen the original, or the original did not exist from the start, and yet actions chain together in the form of "imitating that". The object of imitation is not a real precedent but an image each person has pictured, and because those images resemble one another the results line up.

Another source is the idea of grasping the transmission of information by imitation in units. The concept of the meme, introduced by Richard Dawkins in *The Selfish Gene* in 1976, treated the process by which cultural elements are copied from person to person by analogy with genes. Stand Alone Complex puts its weight on the single point that this process of copying can hold even with no original.

Forms seen in reality

The easiest to see are memes on the internet. When an image format or a turn of phrase spreads, nobody knows the first posting, and each person reproduces it as "that format one often sees". In time the average of the circulating images begins to function as a reference point in place of an original that does not exist.

Anonymous, simultaneous and dispersed movements readily take the same structure. When actions raising the same emblem occur in various places with no leadership and no program, the participants are following not instructions from a center but their own understanding that "people who act under this name do this sort of thing". From outside it is described as an organization; inside there is no organization. That reporting and investigation swing and miss while looking for the "core" is the rule with movements of this type.

It applies in part to the transmission of products and fashions too. When a behavior is adopted as "what everyone is doing", the ground for adoption is not the actual distribution but the distribution each person has estimated. When the estimates refer to one another and reinforce themselves, what in fact only a few people do can settle in as the practice of the majority. In the phase where a brand grows as well, the image of "the kind of person who chooses this brand", imagined by customers among themselves, can work more strongly than the meaning the company has sent out.

Differences from neighboring concepts

Emergence is a general framework for properties appearing from the interaction of elements that the elements did not have, and its range is far wider than Stand Alone Complex. Emergence includes no condition of the absence of an original, nor does it ask whether the phenomenon looks like a unified will. Stand Alone Complex can be called a kind of emergence, but within it is a type carrying the restriction that "the object of imitation does not exist".

Swarm intelligence refers to phenomena in which ordered behavior of a whole flock arises from simple rules of individuals, with ant foraging and the motion of flocks of birds as examples. What works there is reaction to neighboring individuals, not a representation of "let us imitate that precedent". Stand Alone Complex, by contrast, differs decisively in passing through an image each person holds in their head.

Meme is a word attending to the unit of content transmitted, and it does not make an issue of whether an original exists. Stand Alone Complex makes an issue not of content but of how the collective appears as a result of transmission. Collective intelligence refers to the phase in which aggregating many judgments raises accuracy above that of an individual, and the direction of evaluation is the reverse. Collective intelligence is a story of a group becoming cleverer, while Stand Alone Complex is a story of a group appearing to have an intention, and no improvement in cleverness is implied.

What it explains and what it does not

What this concept explains well is the structure of the situation in which "no principal or starting point is found however one looks, and yet the phenomenon looks organized". Its advantage is that it can treat the absence of a core not as a defect or a disguise but as a condition for the phenomenon to hold. The reason why investigations that look for a center, and public relations thinking that tries to hold down the source of transmission, swing and miss also makes sense within this framework.

What it cannot explain, on the other hand, is clear. First, it cannot say why the fire caught at that moment. The condition of the absence of an original is satisfied at all times, and yet chains occur only very rarely. Second, it cannot predict which image is chosen as the reference point. Third, there remains the procedural problem of how the absence of an original is to be confirmed. That a starting point is not found is not a proof that there is none; it can also be that it has not been found yet. An explanation containing a condition that cannot be tested can be applied after the fact to anything.

This concept has an edge as a frame for describing phenomena, but it is not a tool suited to prediction or refutation. As a way of using it, taking it as something that gives a view for forming hypotheses involves no strain.

Points of contact with work in branding and AI

In the practice of branding, the range within which the sending side can determine meaning is in fact narrow. Even with guidelines and tone put in order, what circulates in the market is the image customers have estimated among themselves, and that image changes shape by referring to itself rather than to official output. On this view, the goal of the work takes the form not of "making the correct original and distributing it" but of placing cues that readily function as reference points, and holding a means of observation that notices when the circulating image breaks down. Work handling generative models has a similar problem. When the text and images circulating as training data already include the reproduction of outputs, the image of "this is how people write" that the model refers to is not an actual practice but an average of estimates. The structure in which a standard reinforces itself while no original can be pointed to appears here in the same form.

To verify

  • The definition of the term within the work. The explanation that "imitation chains with no original" agrees across English-language fan sites, reviews and Urban Dictionary-type entries, but the original text of a definition by the director Kamiyama or in official setting materials could not be consulted. The definition in the opening paragraph is a reorganization of the circulating explanations as a concept
  • The point at which the term was first presented. Some sources give 2002 for the start of the series' broadcast, and some give 2001 for the appearance of the term
  • How the formulation of "a copy with no original" in *Simulacra and Simulation* is written, and where, in the original. What could be consulted were English translations and secondary summaries, and the original wording of the relevant expression could not be confirmed
  • Whether literature exists that sets out academically the relation between Stand Alone Complex and existing concepts in sociology and psychology (theories of imitation, conformity, pluralistic ignorance and so on). The comparison of neighboring concepts in this entry remains an account built from the definitions of each concept

References

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